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For all this Lady Rodney is devoutly thankful. She is glad of the girl's absence. She has no desire to exhibit her, prejudice making Mona's few defects to look monstrous in her eyes. Yet these same defects might perhaps be counted on the fingers of one hand. "Yes, very beautiful," he answers, thinking of the stately oaks and aged elms and branching beeches that go so far to make up the glory of the ivied Towers. "Of course you must come here," says Lady Rodney, who is afraid of the county and what it will say if it discovers she is at loggerheads with her son and his bride. But there is no welcome in her tone. And Geoffrey, greatly discouraged, yet determined to part friends with her for Mona's sake,—and trusting to the latter's sweetness to make all things straight in the future,—after a few more desultory remarks takes his departure, with the understanding on both sides that he and his wife are to come to the Towers on the Friday following to take up their quarters there until Leighton Hall is ready to receive them..

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"But you told me no maiden aunt had ever come to your assistance," goes on Mona, remorselessly. "I don't care to hear about the contents of your wardrobe," interrupts Lady Rodney, with a slight but unkind shrug. "I am glad, at least, you were not seen in that objectionable headdress you so often affect." She is sad and depressed before she reaches the hall door, where she is unfortunate enough to find a carriage just arrived, well filled with occupants eager to obtain admission. On the right side of the fireplace, lying along the wall, is a rude stretcher,—or what appears to be such,—on which, shrouded decently in a white cloth, lies something that chills with mortal fear the heart, as it reminds it of that to which we all some day must come. Beneath the shroud the murdered man lies calmly sleeping, his face smitten into the marble smile of death..